Why ar rahman is best

Dheemi Dheemi is a song in which the lyrics really stand out. This film has a lot of good songs, but I think the one under discussion here stands out because of the attachment I have to it. The entire Rang De Basanti album is very well made, but this song is on another level of excellence. En Veetu Thottathil is a classical romantic song, and I find myself indulging in its lyrical perfection as if it were a personal experience.

The ups and downs of this song stand out and are worthy of a mention in how striking they are. AR likes to experiment with various kinds of music, and this is probably his best approach to Indian Classical as of yet.

I find that, other than my nostalgic connections to it, this song has such a danceable flow of music to it that makes it memorable.

No wonder Chaiyya Chaiyya became the iconic wonder it is. The accompanying video with the train-dancing is the cherry on top. I love the way the music glides in this number, it feels very refreshing to listen to and has a tranquil sense about it, making it effective in its communication of emotions.

This song is all acapella — not a single instrument was used during its creation. AR Rahman offers a calming piece with Rasathi, the many hums speaking to your soul with their fullness. AR Rahman did the impossible here and made the cock-a-doodle-doo of a chicken melodious, playing it alongside his addictive beat.

The song was sung by Minmini at a time when she had gone through problems with her voice that would eventually force her to quit singing before her comeback , and so, Rahman recorded her word by word and then edited it all together to form the complete piece. The Malayalam song is part of a really good film titled Yodha , and works its way into the plot as a rap battle of sorts between two rivals.

The song is filled with so much energy that it becomes quite the adrenaline pumper. Kadhalan is the very definition of a passable movie, in my honest opinion, and the only reason anyone ever brings it up in conversation today is to talk about this one song, a wonderful dance number that forces you to get on your feet and move.

A lot of pictures flash by my mind whenever I listen to this: rain amidst the enveloping dark blue sky with a cold wind blowing, mountains in the daylight, brightly coloured daffodils, to name a few. For example, ee scene chudandi. Vidipodham anukunna vallu mallikalisi pelli kuda cheskunnaru. Dialogue lo explain cheyandanki kuda chala kashtam scene nu just music tho pull off chesesaru. Ee kinda unde video chuste meeku arthamavtundi. Subtle dialogue and rich music unte, emotion entha elevate avtundo.

Ila cheppukuntu pothe ayana prati piece lo manasu petti chestaru. Andukenemo pratidi manasuku antha deggaraga ostundi. Ee kinda unde video oka bonus. Music observe cheyadanki try cheyandi. Ayana music lo unde inko adbhuthamaina quality entante, local and contemporary music nu ayanantha baga vere vallu artham cheskoleru.

Present world lo Hindustani, Karnatic, western, western classic, Indian folk different areas combined , Rock, Opera, EDM , contemporary world music ila anni styles of music lo expertise unde only musician undoubtedly Mr AR Rahman. Ika pothe Rhythms nu eeyanantha baga vadukunna music director vere vallu leru. Kinda unde video oka example.

Technical aspects ku oste, India lo andari kante, music nu technical ga develop cheyadanki kashtapadtundi aithe without any doubt, adhi ayane. Ayana India lo sound quality nu chala develop chesaru. Sound quality ante music quality kadhu.

Elagaithe direction ku cinematography ku theda untado, alage music composition ku sound quality ku theda untadi. Eeyana develop chesina path lo chala mandhi kotta music directors labha paddaaru. Ippudu Bollywood music director Amit Trivedi sound quality chala baguntundi ante daniki karanam AR Rahman garu padina shrama ne. Eeyana unconventional music nu chala encouage chestaru. Harpejji ane instrument manalo chalamandiki teleedu. But ayana danni already konni movies lo BGM ku vadesaru.

Oka gossip entante, eeyanaku present market lo unde anni major music related softwares nu professional level lo vadadam ochu ani. Ika last but not least ayana voice nu taluchukovali. Almost ayana prati cinema lo oka chala adbhuthamaina pata untadi.

Adhi ayaney paadtadu. Adhi enthala baguntundi ante, ayana kakunda inkevaru attempt cheyaleru anentha! Not that he is a bad singer, but AR Rahman garu padunte inka bagundedhi. Kinda recent times lo naku nachina AR Rahman garu padina pata undi.

Just music tune compose cheyadam ante, oka cinema ku story idea alochinchadam laga. But daniki entha careful ga sceenplay raskunnam, cinematography pettaam ane dani meedha chala cinema depend avtundi.

Daniki time padtundi. Prati patanu anthe jagrattagacompose chestaru ayana. Okavela immediate ga just average ga anipichina, times vinandi. Ekkaka pothe kottandi! Idhi na guarantee. Elagaithe, Christopher Nolan oka bad movie kuda cheyaledho, alage Rahman garu oka patanu kuda chedakottaledhu ippatidaka. Moreover, manandarki telsina vishayam entante, ayana kani America lo puttindi Hollywood movies ke music chestunte, prati samvatsaram Academy awards ku nominate ayyevaru.

Kani eeyana alaga kadhu. Prati samvatsaram 10 all time hits ivvagalaru. Ipatike ala chala sarlu icharu kuda. Trivikram garu anetattu ayana ikkada puttadam mana adrushtam, ayana duradrushtam.