Which reverb for vocals

If this is the case, I would advise the Boss VE After-all, the sound is the most important aspect, right! For a real look, please refer to the demonstration video below. Certainly a heavier pedal than other options, at 1.

Thank-fully VoiceTone has carefully thought about this product, creating a fantastic sounding all-in-one vocal solution. Boss VE-1 Vocal Echo : 4. TC Helicon Mic Mechanic 2 : 4. For me, I like to be able to save presets Boss VE-1 , but you may like the sound of one pedal over another in the demonstration videos. Your email address will not be published. The gorgeous UI is complemented with detailed editing capabilities. The multiband decay control and a special low-CPU mode make the plugin among my favorites to use.

The Pro version boasts additional presets and more in-depth tweaking compared to the Regular version. We recommend you define the scope of your needs and buy the version that suits you. Either way, the versatility of this plugin ensures that it is money well spent.

FabFilter Pro-R FabFilter Pro-R is an incredibly realistic-sounding reverb plug-in that lets your tracks sit beautifully in the mix without causing unnatural coloration or phase issues. Instead, it hands over the reins to the user to design the reverb that they want while still remaining natural-sounding overall. Pro-R boasts of complex inner workings presented in a simple and easy to follow format.

FabFilter allows users to dial in a wide variety of reverb sounds from clean and transparent to lively and dense. There is also the added possibility to venture into wacky modulated ambiances for those who wish to do so. Furthermore, a 6-band post EQ helps tailor the reverb to your precise needs. It is as easy to use as they get. It can be molded to fit pretty much any vocal or instrument in various styles and genres.

Well, having excellent emulations of them all in one package. VerbSuite Classics is a convolution reverb plugin that includes highly accurate models of some of the most famous reverbs in history. An expansion pack extends the collection to include models of the Lexicon and XL.

While the plugin packs so many goodies underneath, the interface remains quite simple and sleek. It features controls for the usual parameters like decay, attack, and width as well as a chorus control for the characteristic modulation of each of the units. A simple 3 band EQ, gain, and mix knobs complete the design.

An LED-style display shows the currently selected model and settings. This simplicity makes the plugin an absolute joy to play around and experiment with. Each model sounds rich and brings its unique flavor. It requires some effort to go through all the models and learn their sound, but the results make it worthwhile.

This is the sound of hardware worth tens of thousands of dollars in one sleek, simple software package. The L, QRS, and M7 models sound especially good on vocals, but all the models are worth exploring. This is really simple, what you do is to simply sidechain the reverb signal with the vocals. Every time the singer is singing the reverb is reduced and when the singer is about to finish a phrase the reverb kicks in.

The technique works best when you add it to your lead vocals , and it's be a great ear candy effect. Each song is different and vocals are not recorded the same way so there can never be a one-size-fits-all. One of the best tricks to master reverb is to choose 1 reverb and learn it inside out and test it in different situations.

Note that this list is not sorted in any particular order. This is one reverb plugin that gained popularity much quicker because it is capable of some more natural tones and for being very forward and bright It has big and lush tails. It is comparable with those awesome 80s reverb tones. The Altiverb is famous for its hyper-realistic recreation of spaces. Audio Ease has been traveling the world to record the acoustics of the very best sounding spaces.

Getting rid of that excess low end energy can allow you to hear the sound of the reverb without obscuring the clarity on the low end of your tracks. The other thing that you may wanna consider doing is actually rolling off some of the top end. A lot of the times, that top end kind of gives the sound of the reverb away. It makes it sound artificial and unnatural. By rolling off a little bit of the top end on your reverb returns, you can create a more natural sense of space and depth in a mix, without drawing attention to the reverb, and without kind of making it sound artificial and unnatural.

And if you want more vocal mixing tips like these, check out my website, BehindTheSpeakers. Take care. Ready to learn how to mix vocals like a pro? Click here to download your Free Vocal Mixing Cheatsheet.

Hey, this is Jason from BehindTheSpeakers.